In the early 1970s, David Hanna began to turn his attention to sculpture, working in clay with casting in bronze. Roman Athlete, 1972, is a striking production based on a mid-16th century Italian sculpture Seated Male Figure of uncertain attribution in the Metropolitan Museum of Art’s European Sculpture collection. Roman Athlete was Hanna’s first work in bronze with a limited edition of 10, debuting in a special installation at his second solo show in New York City that summer. The work, the invitation read, “has been hand cast in the lost wax process by Tallix Foundry.” Tallix, later Polich Tallix and purchased in 2019 by UAP remains one of the country’s premiere fine art foundries.

Roman Athlete, 1972, Bronze, 11 x 11 ½ x 6 in., limited edition of 10 ©️ David Hanna Trust


Standing Nude, 1980-81, Bronze, 23 x 8 x 5 in., 2 limited editions of 10 each ©️ David Hanna Trust

It was nearly a decade after the completion of Roman Athlete that Hanna returned to clay sculpture. In two works in progress when he died in 1981, we see subjects previously featured in meticulous pencil drawings and paintings coming to life in three dimensions. Hanna’s widow, Carolyn had the two unfinished sculptures cast in bronze after his death. Sculptor David Phillips, formerly of Sculptor’s Workshop in Somerville, Massachusetts remembers meeting the young widow and casting the two clay forms. In Standing Nude, the decision was made to cut the arms off above the wrists as the hands were unformed and crumbling.


 

Private Thoughts
Private thoughts occur when we are young.
Private thoughts are the unspoken words of one’s eyes.
Private thoughts occur in the warmth of the sun and the softness of the rain.
Private thoughts are seen on the smile of a child and the tear of one who is old.
Private thoughts appear to us from a darkened pool like thoughts in our soul.
Private thoughts let me speak to you of my private thoughts, so they are private thoughts no more.

— DAVID HANNA